David Lynch: The Unified Field

David Lynch’s first major museum exhibition in the United States, organized in close collaboration with the artist

  • Installation view of <em>David Lynch: the Unified Field</em>, 2014, Photo by Barbara Katus

    Installation view of David Lynch: the Unified Field, 2014, Photo by Barbara Katus

  • Installation view of <em>David Lynch: the Unified Field</em>, 2014, Photo by Barbara Katus

    Installation view of David Lynch: the Unified Field, 2014, Photo by Barbara Katus

  • Installation view of <em>David Lynch: the Unified Field</em>, 2014, Photo by Barbara Katus

    Installation view of David Lynch: the Unified Field, 2014, Photo by Barbara Katus

  • David Lynch, Screen for<em> Six Men Getting Sick</em>, 1967, Fiberglass, resin, acrylic, and graphite with masonite panel, 71 5/8 x 82 3/4 x 10 in., Collection of Rodger LaPelle and Christine McGinnis, Philadelphia, PA

    David Lynch, Screen for Six Men Getting Sick, 1967, Fiberglass, resin, acrylic, and graphite with masonite panel, 71 5/8 x 82 3/4 x 10 in., Collection of Rodger LaPelle and Christine McGinnis, Philadelphia, PA

View an exhibition walk-through with David Lynch HERE.

In 1967 as an advanced painting student at the Pennsylvania Academy of the Fine Arts (PAFA) in Philadelphia, David Lynch made a hybrid work of art that brought together painting, sculpture, sound, film, and installation. Six Men Getting Sick (1967) expanded Lynch’s practice and opened him up to the possibilities of filmmaking. He went on to become internationally renowned as a film director but never stopped working as a visual artist. Lynch has maintained a devoted studio practice, developing a parallel body of painting, prints, photography, and drawing that deserves to be better known. In many ways his identity as an American artist brings together all aspects of his creative life into a unified field of subjects and concerns.

David Lynch: The Unified Field was Lynch’s first major museum exhibition in the United States, organized in close collaboration with the artist. It brought together approximately 90 paintings and drawings from 1965 to present. Part of the exhibition explored Lynch’s early work, much of which has never been displayed in public. Six Men Getting Sick was restaged for the first time and presented with related drawings. Several early short films, made in Philadelphia, were also on display.

Recurrent themes in the exhibition included the human body combined with “organic phenomena” in unlikely combinations and the home depicted as a site for childhood memories, flashbacks, nightmares, or passion. Lynch’s ability to suggest the emotional intensity of his subject matter through paint textures, surface effects, and physical traces of his hand, brings intimacy and empathy to even the most disturbing narratives. Many works included presented a tense, mysterious scenario suspended in the course of a story. We witness psychologically-charged moments isolated out of context.

The exhibition was complimented by "Something Clicked in Philly": David Lynch and His Contemporaries.

For more information about the painting curriculum at PAFA, where David Lynch was trained as a visual artist, click HERE.

David Lynch is represented by Kayne Griffin Corcoran Gallery in Los Angeles.

 

Catalog

This critically acclaimed book is published in conjunction with the first U.S. survey of David Lynch’s paintings and drawings. Lavishly illustrated with Lynch’s artwork, previously unpublished archival photographs and featuring an in-depth essay by curator Robert Cozzolino this is a must have for Lynch fans and those interested in contemporary art.

David Lynch: The Unified Field

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