New York Times | Taking Lessons From a Bloody Masterpiece
Explore every nook and cranny of the landmark 1875 painting by Thomas Eakins, "The Gross Clinic," with the New York Times's Jason Farago, and gain insight into its details and the significance they hold.
These last two months I’ve grown obsessed with one American painting: a bloody masterpiece of pain and healing, made in Philadelphia nearly a century and a half ago. Thomas Eakins (1844-1916) was still a young artist when he completed “The Gross Clinic,” an in-action, up-to-the-minute depiction of the vanguard of American medicine that feels particularly relevant right now.
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