Proof Testing: The PrintLab Artist Residency at Brandywine Workshop and Archives

Exhibition Info
Samuel M.V. Hamilton Building
Curated by
Michelle Donnelly, Evelyn and Will Kaplan Curator of Twentieth Century Art and the John Rhoden Collection

Proof Testing presents the outcomes of the PrintLab Artist Residency (2025–26), a collaborative initiative between Brandywine Workshop and Archives (BWA) and eight interdisciplinary artists working at the forefront of contemporary printmaking.

Expanding on BWA’s Visiting Artist Residency Program, PrintLab enabled artists to experiment with both traditional and emerging processes—including photolithography, woodcut, CNC routing, laser cutting, phototransfer, and animation. Through these techniques, artists explored themes of ancestry and memory, identity and mythology, diaspora, and survival.

The exhibition features eleven works and nine printing blocks created through PrintLab by El Anatsui, Lavett Ballard, Albert Chong, Willie Cole, Kakyoung Lee, Delita Martin, Jocelyn Akwaba Matignon, and Didier William. Select works from earlier residencies are also included, offering insight into how artists extend and evolve their printmaking practices over time.

By presenting finished prints alongside working materials, Proof Testing reveals the experimental processes behind production and highlights PrintLab as a site of collaboration, innovation, and material exploration.

Organized in partnership with Brandywine Workshop and Archives, the exhibition coincides with PrintLab: Material Futures on view at BWA. PrintLab is supported by The Pew Center for Arts & Heritage.

Curated by Michelle Donnelly, Evelyn and Will Kaplan Curator of Twentieth Century Art and the John Rhoden Collection 

Featured Artwork: Delita Martin (b. Conroe, TX, 1972), The Little Rootkeeper, 2025. Photolithograph with hand-applied ink on paper, 31 ½ x 24 ½ in. Collaborative printer: Justine Ditto (BFA, PAFA, ’17). Brandywine Workshop and Archives. © Delita Martin. 

 Featured Artists & Works

  • El Anatsui
  • Lavett Ballard
  • Albert Chong
  • Willie Cole
  • Kakyoung Lee
  • Delita Martin
  • Jocelyn Akwaba Matignon
  • Didier William

Includes two prints from 2018, demonstrating how two of the participating artists built on their previous BWA residencies. By placing finished prints alongside working materials, Proof Testing illuminates how PrintLab served as an incubator for experimentation and innovation.

About the Brandywine Workshop and Archives (BWA)

Founded in 1972 as the Brandywine Graphic Workshop in the Spring Garden neighborhood of North Philadelphia, Brandywine Workshop and Archives (BWA) is a non-profit art institution that has broadened opportunities for BIPOC and emerging artists to create limited edition prints, often for the first time. BWA preserves and promotes the art of fine art printmaking by providing a space for the exploration of traditional, contemporary, and innovative printing technologies. With a clear focus on collaboration between artists and printers, BWA serves as a portal to global cultural perspectives and audiences through easy access to its art collections and learning tools. BWA strives to educate, inspire, and build broad, inclusive communities through its artist residencies, exhibitions, collections, public programming, and mentoring programs that spur creative expression and offer career pathways in the field of visual arts.
 

Learn More
 

A stylized, blue-toned mixed media print features a young Black girl with braided hair sitting cross-legged atop a dense root system, set against a background of abstract shapes and starburst patterns.
Delita Martin (b. Conroe, TX, 1972), The Little Rootkeeper, 2025. Photolithograph with hand-applied ink on paper, 31 ½ x 24 ½ in. Collaborative printer: Justine Ditto (BFA, PAFA, ’17). Brandywine Workshop and Archives. © Delita Martin.
A textured artwork depicts two shadowy figures positioned on tall stumps or mounds within a dense forest, surrounded by wavy, glowing streams of bright orange and yellow light that mimic fire or energy.
Didier William (b. Port-au-Prince, Haiti, 1983), Dife nan zo mwen, 2026. Woodcut on paper, 23 ¾ x 18 in. Collaborative printer: Alexis Nutini. Brandywine Workshop and Archives. © Didier William.
A delicate, warm-toned botanical collage features white flowers, green berries, insects, and transparent wings layered over a faint, ghostly portrait of a face.
Albert Chong (b. Kingston, Jamaica, 1958), Aunt Lou (Copper), 2025. Phototransfer on copper, 24 x 17 ½ in. Collaborative printer: Justine Ditto (BFA, PAFA, ’17). Brandywine Workshop and Archives. © Albert Chong.
A four-panel print art piece by Kakyoung Lee depicts various scenes of people walking, jogging, and biking along a path in Central Park, rendered in distinct light blue and dark grey tones.
Kakyoung Lee (b. Waegwan, South Korea, 1975), Jogging – Dusk & Dawn, 2025. Woodcut on paper, 20 x 30 in. Collaborative printer: Alexis Nutini. Brandywine Workshop and Archives. © Kakyoung Lee.

EXHIBITION SUPPORT

Proof Testing is organized in partnership with Brandywine Workshop and Archives. A concurrent exhibition, PrintLab: Material Futures, is on view at BWA June 18–October 25, 2026.

PrintLab at Brandywine Workshop and Archives has been supported by The Pew Center for Arts & Heritage.


 

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