The Afterlife: 2026 MFA Graduates from the Tyler School of Art and Architecture

Exhibition Info
Samuel M.V. Hamilton Building

What survives us? What do we carry forward? What must be left behind? The works in The Afterlife inhabit the space between endings and beginnings. They move through memory, grief, humor, ritual, labor, ecology and transformation, finding unexpected possibilities in discarded materials, familiar objects, personal histories and imagined futures.  

Across media and scale, these artists treat the present not as a fixed condition but as something provisional—made from remnants of what came before and continually reshaped by acts of making. Here, an afterlife is not a destination but a process: of rebuilding, remembering, refusing and becoming.  

Together, the exhibition offers twenty-seven artists' responses to a shared question: how might we imagine another world from the materials of this one? The work of each artist in the Tyler MFA Class of 2026 attends to what lingers: archival traces, inherited histories, ecological debris, domestic labor, bodily experience, family memory, discarded objects and gestures repeated into ritual. For this cohort, The Afterlife does not suggest an ending, but a continuation. 

Free admission for Temple Students and Families.

Participating Artists

  • Gwyneth Zeleny Anderson
  • Maximilian Art Boyce
  • Rich Brown
  • Jamie Cabreza
  • Mary Champagne
  • Judith Addison
  • Daniel Gottschalk
  • Will Grimm
  • Rachael Henson
  • Brianna Howard
  • Rylie Kelley
  • ev Leto
  • Weiwei Li
  • Jessalyn Mailoa
  • Joseph E. Malson
  • Zahra Momeni
  • Marta Murray
  • Nabeel Naveed
  • Marcè Nixon-Washington
  • Laura Sallade
  • Jess Santana
  • Lena Ruth Schwartz
  • Olivia Smith
  • Brandon Aquino Straus
  • Meredith Tenney-Free
  • Madison Tubbs
  • Ananda Voecks

About the Tyler School of Art and Architecture

The Tyler School of Art and Architecture at Temple University is a leader in creative practice and scholarship that prepares artists, designers, architects, art historians and educators to shape culture and the built environment. Grounded in interdisciplinary collaboration and civic engagement, Tyler empowers students to make meaningful contributions to their communities and professions.

Tyler’s Center for Art and Creative Exchange, based at the Pennsylvania Academy of the Fine Arts (PAFA), convenes a constellation of programs designed to advance artistic practice, research and exchange. The center is anchored by a studio fellowship for Tyler MFA alumni and a critic-in-residence program that supports critical dialogue and public programming. A forthcoming curatorial studies program will offer professional training with research access to PAFA’s galleries, collections and archives. Together, these initiatives foster generative exchange among artists, curators, scholars and public audiences, and contribute to Philadelphia's cultural vitality and creative identity. 

 

Learn More

 

An installation view of a contemporary art exhibition featuring three vibrant, wall-hung feline portraits labeled "CAKE EATER" above a plush, patterned fabric floor sculpture.
The Afterlife installation view. Photo: Erin Rose Boyle.
A mixed-media sculpture featuring a large, head-like form constructed from stitched patches of grey, black, and orange fabric, which is mounted to a wall using curved metal rods attached to a wooden base.
Rich Brown. MVP. Repurposed basketball rim, repurposed sneakers, denim, basketball shorts. Dimensions variable. Photo: Erin Rose Boyle.
A large, hollowed-out, headless animal sculpture with a dimpled, textured surface stands on four legs in an art gallery, positioned near a flock of small sculpted birds mounted on the background wall alongside a vertical blue monochrome painting.
The Afterlife installation view. Photo: Erin Rose Boyle.
An upright, rectangular mixed-media sculpture with a swirling marbleized pattern stands on a concrete base inside a brightly lit art gallery, surrounded by wireframe wall structures and polished hardwood floors.
The Afterlife installation view. Photo: Erin Rose Boyle.
A low-angle shot of two textured clay sculptures of Black youths facing each other on a base of stacked black crates inside an art gallery with a large abstract painting in the background.
The Afterlife installation view. Photo: Erin Rose Boyle.
An organic, multi-tiered white ceramic sculpture resembling a cluster of textured coral sits on a polished gallery floor, surrounded by abstract paintings and artworks in a brightly lit museum exhibition space.
The Afterlife installation view. Photo: Erin Rose Boyle.
This installation view features printmaking and textile works on wooden display structures, characteristic of contemporary graduate thesis exhibitions showcasing process-based abstraction and mono-prints on paper.
The Afterlife installation view. Photo: Erin Rose Boyle.
The image shows a contemporary sculpture installation composed of numerous clear plastic cups arranged in a circular floor grid, pierced and connected by radiating bright red plastic drinking straws.
Gwyneth Zeleny Anderson. Chorus. Plastic cups and straws. 7” x 40” x 40”. Photo: Erin Rose Boyle.

EXHIBITION SUPPORT

The Afterlife is organized by Temple University's Tyler School of Art and Architecture

 

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