A Nation of Artists

Horizons: American Landscapes from Tradition to Tomorrow

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Samuel M.V. Hamilton Building
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Center for Art Education
Join us for an illuminating conversation between curators from two of America's most distinguished art institutions as part of PAFA's landmark exhibition A Nation of Artists. Dr. Lea Stephenson, Kenneth R. Woodcock Curator of Historical American Art at PAFA, and Kerry Bickford, Associate Curator at the Brandywine Museum of Art, explore how American artists have depicted landscapes—from the Hudson River School's sublime vistas to the Brandywine tradition's intimate terrain, and contemporary artists reimagining these spaces today.
 
This dialogue examines how landscape painting has shaped American cultural identity across centuries, reflecting changing relationships with the land, environment, and national mythology. Drawing on the rich collections of both institutions, our speakers will trace connections between historical masters and today's artists who continue to challenge and expand how we see the American landscape.
 
As America celebrates its 250th anniversary and PAFA reopens its Historic Landmark Building with A Nation of Artists, this program offers a rare opportunity to explore one of American art's most enduring subjects through fresh eyes and urgent questions about place, belonging, and our shared horizons.
 
 

About Kerry Bickford and Brandywine

Kerry Bickford is a Philadelphia-based curator and artistic producer whose practice focuses on site-responsive public art and intersections between art and local ecology. She is currently Associate Curator at the Brandywine Conservancy and Museum of Art, where she has curated Abundance/Excess: A Contemporary Eye on Still Life. Prior to joining Brandywine, she served as Senior Project Manager at Monument Lab, where she produced Declaration House and the Monument Lab Summit. Bickford has also worked as Curator of Ecological Futures and Director of Programs at Philadelphia Contemporary, where she curated or co-curated the projects Jean Shin: Freshwater, Lenape Sippu: Call Her by Her Name, Tracey Emin: A Moment Without You, Commonwealth, Edward Burtynsky: Megaresources, and Ana Vizcarra Rankin: time/scale. She has produced and co-produced numerous projects including Grounds that Shout! (and others merely shaking) and Jane Irish: Antipodes. Bickford has an M.A. from the Williams College Graduate Program in the History of Art and a B.A. in English and Art History from Northwestern University.
 
Renowned for its holdings of the Wyeth family of artists, the Brandywine Museum of Art features galleries dedicated to the work of N.C. Wyeth, Andrew Wyeth and Jamie Wyeth. The Museum’s outstanding Brandywine Collection is a cross-section of American art, with a special focus on artistic practice in the Brandywine Valley. Nineteenth- and twentieth-century landscape paintings testify to the beauty that drew well-known artists to the area. Important portraits, still life paintings and notable holdings in American illustration add diversity and breadth to this unique collection.

About Dr. Lea Stephenson

Dr. Lea Stephenson is an art historian, who is currently the Kenneth R. Woodcock Curator of Historical American Art at the Pennsylvania Academy of the Fine Arts. 

She oversees PAFA’s collection from the eighteenth to the early twentieth century and serves as the co-curator of A Nation of Artists, a landmark exhibition and reinstallation that explores new ideas and interpretations of American art through the 18th century to the contemporary world.

Stephenson’s work has focused on nineteenth-century American art, particularly American artists traveling and working internationally. Her work has appeared in academic journals, edited volumes, and exhibition catalogs, where she explored topics including PAFA’s first 1807 exhibition, Aesthetic Movement interiors, and Gilded Age portrait miniatures. Prior to joining PAFA, Stephenson held curatorial positions and fellowships at Historic Deerfield, Philadelphia Museum of Art, Preservation Society of Newport County, Dallas Museum of Art, and the Clark Art Institute.

She recently completed her PhD in Art History at the University of Delaware in 2025, where her dissertation explored late nineteenth-century Egyptomania among American artists and collectors. Before her PhD, Stephenson completed her BA in Art History at Temple University and MA at the Williams Graduate Program in the History of Art.

landscapes in a nation of artists

A group of travelers and dogs stand on a rocky mountain ledge, gazing at a vast, softly lit valley below. The scene evokes tranquility and wonder.

 

Sanford Robinson Gifford (1823–1880)  
Mount Mansfield, 1859 
Oil on canvas, 30 1/2 x 60 1/4 in. 
The Middleton Family Collection 

 

 

A tranquil landscape painting depicting a lush, green scene with rolling hills, a large tree, ancient ruins, and two figures near a small river. The sky is a soft gradient from yellow to blue, evoking a peaceful, serene atmosphere.

 

Jasper Francis Cropsey (1823-1900)
Landscape with Figures near Rome, 1847
Oil on canvas, 27 5/16 x 40 3/16 in.
1954.22.1
Gift of John Frederick Lewis, Jr.

 

 

A serene landscape painting depicts a calm river reflecting the setting sun, surrounded by lush mountains and towering palm trees, evoking tranquility.


Frederic Edwin Church (1826–1900)  
Valley of Santa Ysabel, New Granada, 1875 
Oil on canvas, 39 1/4 x 60 in.  
Museum Purchase, 2018.10 

 

 


 

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