Elizabeth Catlett: Mentorship and Collaboration in Practice
For this month’s Art at Noon, explore the expansive reach of Elizabeth Catlett’s praxes as a groundbreaking artist, educator, and interlocutor. Independent curator and art historian Charmaine Branch will discuss Catlett’s pedagogy in relation to her sculpture and printmaking practices.
Branch will pay particular attention to the educational and artistic communities Catlett navigated throughout her life. Catlett’s relationships with fellow Black women artists illuminate the interconnected networks of friends, collaborators, mentors, and mentees who laid the foundation for African Diasporic artistic production and historiography from the mid-twentieth century into the early twenty-first century.
The lecture will also consider recent scholarship and discourse surrounding Catlett’s legacy in relation to PAFA’s exhibition A Nation of Artists.
This program is offered in a hybrid format—attend in person at PAFA or watch the live stream on YouTube. A link to the livestream will be emailed to all registrants by 11:30 AM on the day of the event. A recording of the program will be shared with registrants following the event.
works by elizabeth catlett

Elizabeth Catlett (1915-2012)
In Phyllis Wheatley I proved intellectual equality in the midst of slavery, 1946
Linocut on paper
9 1/2 x 6 1/2 in. (24.13 x 16.51 cm.)
Art by Women Collection, Gift of Linda Lee Alter, 2011.1.120

Elizabeth Catlett (1915-2012)
In Harriett Tubman I helped hundreds to freedom, 1946
Linocut on paper
9 1/2 x 7 1/2 in. (24.13 x 19.05 cm.)
Art by Women Collection, Gift of Linda Lee Alter, 2011.1.102

Elizabeth Catlett, (1915-2012)
I am the Negro Woman, 1947
Linocut on paper
5 1/2 x 5 in. (13.97 x 12.7 cm.)
Art by Women Collection, Gift of Linda Lee Alter, 2011.1.172
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