Art At Noon

Elizabeth Catlett: Mentorship and Collaboration in Practice

Event Information
Rhoden Arts Center
Samuel M.V. Hamilton Building
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Center for Art Education

For this month’s Art at Noon, explore the expansive reach of Elizabeth Catlett’s praxes as a groundbreaking artist, educator, and interlocutor. Independent curator and art historian Charmaine Branch will discuss Catlett’s pedagogy in relation to her sculpture and printmaking practices.

Branch will pay particular attention to the educational and artistic communities Catlett navigated throughout her life. Catlett’s relationships with fellow Black women artists illuminate the interconnected networks of friends, collaborators, mentors, and mentees who laid the foundation for African Diasporic artistic production and historiography from the mid-twentieth century into the early twenty-first century.

The lecture will also consider recent scholarship and discourse surrounding Catlett’s legacy in relation to PAFA’s exhibition A Nation of Artists

This program will in-person only.

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About Charmaine Branch

Charmaine Branch is an independent curator and Ph.D. candidate in the Departments of Art & Archaeology and African American Studies at Princeton University. 

She studies modern and contemporary art of the Black Diaspora, with interests in printmaking, community-oriented pedagogy, and Black feminist thought. In 2023, Branch authored the interpretive texts for Silver Linings: Celebrating the Spelman Art Collection, an Art Bridges–sponsored traveling exhibition organized by the Spelman College Museum of Fine Art. She has served as a Curatorial Assistant at The Print Center and the Programming Coordinator for the digital platform Art Hx: Visual and Medical Legacies of British Colonialism. 

Prior to beginning her PhD, Branch was a Curatorial Fellow at the Studio Museum in Harlem and the Museum of Modern Art. Her research has been supported by the Crystal Bridges Museum of American Art Tyson Scholar of American Art program; the Smithsonian American Art Museum Joshua C. Taylor Predoctoral Fellowship; the Stuart A. Rose Manuscript, Archives, and Rare Book Library Billops-Hatch Fellowship; and the Princeton University President's Fellowship. She holds an M.A. in Modern Art: Critical and Curatorial Studies from Columbia University and a B.A. in Art History from Vassar College. 

works by elizabeth catlett

A black and white illustration depicts an enslaved woman writing with a quill, while three chained women stand solemnly in the background, conveying struggle and resilience.

 

Elizabeth Catlett (1915-2012)
In Phyllis Wheatley I proved intellectual equality in the midst of slavery, 1946
Linocut on paper
9 1/2 x 6 1/2 in. (24.13 x 16.51 cm.)
Art by Women Collection, Gift of Linda Lee Alter, 2011.1.120

 

 

Black and white illustration of a determined woman pointing forward, leading a group of somber people. The dramatic lines convey urgency and resolve.

 

Elizabeth Catlett (1915-2012)
In Harriett Tubman I helped hundreds to freedom, 1946
Linocut on paper
9 1/2 x 7 1/2 in. (24.13 x 19.05 cm.)
Art by Women Collection, Gift of Linda Lee Alter, 2011.1.102

 

 

Linocut portrait of a contemplative woman’s face, with strong shadows and highlights emphasizing her expression. The mood is introspective and solemn.

 

Elizabeth Catlett, (1915-2012)
I am the Negro Woman, 1947
Linocut on paper
5 1/2 x 5 in. (13.97 x 12.7 cm.)
Art by Women Collection, Gift of Linda Lee Alter, 2011.1.172

 


 

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