Perhaps few of us can sympathize with a fish. A drawer and painter—and self-described as awkward and imaginative—PAFA’s continuing education instructor Hiro Sakaguchi is one of those few. 

One of Sakaguchi’s most-seen paintings depicts Niagara Falls with a bear catching one of several airplanes in…

Originally from Manhattan, N.Y., Eustace Mamba entered PAFA in 2016. He received a BFA in illustration and is currently pursuing his MFA. Among other prizes, Mamba has received the 2019–2020 Raymond D. & Estelle Rubens Travel Scholarship. His “Weighing Escape Options” was acquired through the Judith…

“I’m primarily a painter”—an understatement from PAFA alumna Sarah McEneaney, whose autobiographical paintings can be seen in permanent collections from coast to coast—"but I have made some sculpture in the past throughout the years and they've mostly been animals. I think that’s because I live with…

Al Gury wears many hats, to say the least. At PAFA alone he chairs the painting department, teaching at the undergraduate, high school, and continuing education levels, and directs the After-School Studio Art Program for young people in the city. He also works with Mural Arts Philadelphia, people…

Artist Ana Vizcarra Rankin graduated from the Master of Fine Art program in 2012. She received the Judith McGregor Caldwell Purchase Prize at the Annual Student Exhibition in May 2012 for her work Global Optimization Diagram. The painting is on view at the museum in “Taking Space: Contemporary Women…

If you visit this weekend, you can find a man in a blue hazmat suit within the walls of the Philadelphia Museum of Art. He isn’t concerned with an airborne virus; rather his suit protects him from toxic fumes of arsenic that float around his meticulously designed surroundings. This man inhabits a…

Watch a timelapse video of the process. Weighing nearly 3,600 pounds and with a pedestal that is roughly between 2,300-2,600 pounds, and made of breakable marble, the statue risks damage if not handled with the required care and expertise.