Alumni Stories

Ana María Gómez López

2011

/ Post-Baccalaureate

Ana María Gómez López left a career in forensic anthropology to become a visual artist, a journey that began at PAFA and continues in her current home of Berlin.

Evangelos Frudakis

1949

/ Certificate

“We are poets in clay. We capture something that has its own identity. My philosophy was poetry, it was excellence, and it was that the truth comes from nature.”

Emily Diehl & Peter Haarz

2012

/ Certificate

The way Emily Diehl and Peter Haarz see it, being a printmaker is part of an artistic lineage rooted in their time at PAFA with lithography teacher Ron Wyffels.

Lowry Burgess

1960

/ Certificate

Lowry Burgess contributes to the history of PAFA alumni who have had a profound effect on the art world not only through their artistic works, but also because of their ideas about art.

Spencer Sweeney

1997

/ Certificate

“I was looking for a program focused on classical training in an atmosphere conducive to very deep levels of uninterrupted focus.”

Amy Walsh

2006

/ MFA

“My time at PAFA helped me find my creative center and give me confidence, so that as I sometimes radically change my approaches to art making and even my definitions of art, something stays consistent in me.”

Benjamin Volta

2002

/ Certificate

In the years since his graduation from PAFA, Ben Volta has used his art education to enrich the lives of his students and their neighborhoods.

Mia Rosenthal

2008

/ MFA

Mia Rosenthal had her sights set on being a painter when she enrolled in PAFA’s graduate program. Soon after her arrival, however, she found herself “making things that weren’t paintings.”

Raymond Saunders

1957

/ Certificate

Raymond Saunders’ influence on American art since his graduation from PAFA has been profound. While his work as an artist is at the forefront, Saunders also changed perceptions within the art world with his words.

Mauro Zamora

2004

/ MFA, Certificate

Currently teaching at the College of New Jersey, Mauro Zamora finds his continued relationship with PAFA helpful in maintaining a dialogue about artistic practice.

Clarity Haynes

2003

/ Certificate

Clarity Haynes knew from the age of 16 that she wanted to be an artist, and a mentor demonstrated to her the importance of working on one’s craft constantly. This philosophy is also what drew her to PAFA.

Bo Bartlett

1980

/ Certificate

Bo Bartlett and his fellow PAFA realists saw themselves as “renegades fighting against the hegemony” of the abstraction-obsessed 1970s.

Anna Hodges

2014

/ BFA

“I was surprised to find how strongly the faculty advocates unbridled self-expression. This was unexpected but very helpful.”

Yoni Hamburger

2013

/ MFA

“Every person has a frequency that is unique only to them. I try to tune in to that in my portraiture.”

Laura Sallade

2013

/ Certificate

Growing up in a small town in Pennsylvania can be a challenge when you’re considering a life in the arts. Making the choice of where to study can be a difficult one.

Bong Mee Lee

2013

/ MFA

“I needed to know the foundations before I could break the rules. All of my work is autobiographical. I respond to it and it responds to me.”

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