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Contemporary Gallery

The Pennsylvania Academy's contemporary art program features rotating exhibitions by artists from the Philadelphia region and beyond. Contemporary art exhibitions emerged at the Academy in 1978 when the Morris family, in honor of the Academy's first professional director, Harrison Morris (1892-1905), endowed an exhibition program focusing on living Philadelphia artists.


In recent years, the program has been expanded to include artists from outside the Philadelphia area in order to contextualize the local within national trends in contemporary art. Exhibited artists have included Judith Schaechter (1998), Charles Burns (1999), Jeremy Blake (2000), Virgil Marti (2001), Mary Judge (2001), Phil Frost (2002), a three-person exhibition with Marcel Dzama, Michael Dumontier and Andrew Jeffrey Wright (2003), Michelle Oosterbaan (2004), Eamon Ore-Giron (2005), Vik Muniz (2005), Nan Goldin (2006) and Elizabeth Leister (2006). Exhibitions take place in the Academy's Morris Gallery, located on the ground floor of the historic landmark building.


Additionally, contemporary works from the Academy's permanent collection can be seen in the Walter and Leonore Annenberg Gallery, the Tuttleman Sculpture Gallery, School of Fine Arts Gallery: Gift of the Women's Board, and the School Gallery in the Samuel M.V. Hamilton Building.

click to see full imageContemporary Galleries



Spot Check: Academy Contemporary

Through June 8, 2008


Morris Gallery, Historic Landmark Building


Since 2004 the Pennsylvania Academy of the Fine Arts has set aside a portion of its acquisition funds to purchase work by emerging artists. This Morris Gallery focus installation spotlights over a dozen objects that have entered the Academy’s collection through the Contemporary Art Development Fund. Spot Check: Academy Contemporary will showcase art that engages in a wide range of current practices. It features work by Astrid Bowlby, Joy Feasley, Jane Irish, Tristan Lowe, Rob Matthews, Eamon Ore-Giron, Ben Peterson, Isaac Resnikoff, Huston Ripley, Jane South, Monique van Genderen and others. From an elaborate low-tech wall construction to a meticulously rendered California futurescape, an anthropomorphic architectural creature to startling ruminations on sexual, religious, and racial identity, this installation promises an exciting look at an important subset of the Academy's contemporary collection.


Artist Talks

In conjunction with this exhibition, there will be four artist talks that will occur on Academy First Fridays, March through June. The talks will start at 6 p.m. in front of the artist's work in the Morris Gallery. After a brief introduction by Academy Curator of Modern Art, Robert Cozzolino, each artist will discuss his or her work. The artist and curator will then discuss the work together offering a dialogue about issues or questions that the piece provokes. Attendees will be able to ask questions and engage in a conversation with the artist and curator.

Friday, March 7: Rob Matthews
The Assumption at Ridglea, 2004-05
graphite on paper; five sheets framed and mounted into a polyptych form including five sections; graphite on exterior wings, sealed with fixative; Overall with wings open: 49 x 54 ½ inches; Overall with wings closed: 49 x 27 ¼ inches
Contemporary Art Development Fund, 2005.17.a-e

Friday, April 4: Astrid Bowlby
Untitled (soft lace .5), 2003
Ink on mat board; 14 x 12 inches
Contemporary Art Development Fund, 2006.7.1

Untitled (spiral stitch, .60), 2004
Ink on paper; 22 x 18 inches
Contemporary Art Development Fund, 2006.7.2

Or this way, 2005
Ink on paper; 13 ¾ x 10 ¾ inches
Contemporary Art Development Fund, 2006.7.3

Friday, May 2: Joy Feasley
Green, 2007
Vinyl tempera on board; 30 x 24 inches
Contemporary Art Development Fund, 2007.10

Friday, June 6: Jane Irish
Dewey Canyon III, 2003
Varnished egg tempera and gouache on linen; 116 x 65 inches
Contemporary Art Development Fund, 2004.25


Eamon Ore-Giron, Exit Strategy (detail), 2005, acrylic on canvas, 60 x 48 in., Contemporary Art Development Fund, 2005.12