CHAIR for the new Department of Liberal Arts; Assistant Professor: Art History; Teaches Art History, Art Criticism; M.A., Ph.D., History of Art, Bryn Mawr College, May 1995; B.A. with honors, University of California at Berkeley, May 1989; Publications: "Eve's Dropping/Eavesdropping," in The Writings of Michael Fried, edited by Jill Beaulieu, Mary Roberts, and Toni Ross (Sydney: Power Publications, 2000). "Carol Ockman, Ingres's Eroticized Bodies: Retracing the Serpentine Line (Book Review)," Nineteenth-Century French Studies (Volume 24, no. 3 & 4, Spring-Summer, 1996), pp. 499-500. Negotiations Towards a Self, 1770-1830, (UMI, 1997). "The Work, Of Alice Oh," Alice Oh: Stages of Conception Exhibition (Philadelphia, 2001). "After Words," in Nothing to See, 4th Annual Exhibition of The Land/An Art Site (New Mexico, 2002). The Art Historian's Studio: A Virtual Allegory of the Past Seven Years of My Intellectual Life (The Center for Visual Culture, Bryn Mawr College, 2003).