Highlighting how the experience of "place" saturates the work of artists from six regions in US
PHILADELPHIA — On view October 22 through December 31, 2011, the Pennsylvania Academy of the Fine Arts (PAFA) presents here., an exhibition that considers how “place” is not simply the geographic locality where an artist lives and works but also the subject matter of lived experience. Recognizing how place influences and infiltrates each artist’s work in diverse and complicated ways, here. explores how a sense of place exists in the work of artists from six particular regions — Philadelphia, Cincinnati, Phoenix/Scottsdale, Raleigh-Durham, Detroit and Kansas City.
Selected by PAFA’s Curator of Contemporary Art, Julien Robson, and five guest curators, here. challenges the idea of “regionalism” as an unfashionable term that references only the parochial or the provincial, and highlights, instead, the fact that many communities have begun to place greater importance on how history and place define them in a globalized world. By presenting a diverse range of compelling artistic practices seen through the eyes of curators who live and work in the regions, here. provides a platform for artists from six regions and opens a broader discussion about what regionalism can mean to American art today.
Regionalism as a historical category held popular, critical, and institutional attention during the Great Depression but by the second-half of the twentieth century had become an outmoded idea. Instead, advancements in transport and communications technology gave precedence to the idea of Globalism with its promise of progressive democratisation and standardization, relegating the regional to the status of the provincial and the parochial. However, alongside and because of the homogenizing effects of globalism, the last decades have witnessed an increasing re-assertion of regional difference as communities have sought to discover what binds them together.
here. challenges the presumption that globalization makes regional and national identity irrelevant, asserting that the drive toward global standardization has resulted in a reconfiguration of regional identity in which place, the local, and a sense of shared history take on a renewed significance.
“The exhibition acknowledges the many different reasons why these 24 artists find themselves situated in these six regions and uses these histories as a means of exploring their diverse approaches and responses to place,” says curator Julien Robson. “Continuing PAFA’s historical commitment to redefining what constitutes American art, here. proposes a new approach to regionalism in 21st century art.”
For instance, in Scott Hocking’s works a sense of place can be found in the glimpses of Detroit that appear in his photographs, while in Arizona collective Postcommodity’s video installations it is found in references to Native American ritual and history. Kansas artist Michael Krueger refers to hippy culture in Lawrence, while North Carolina artist Glenda Wharton’s animated film paints childhood dreams that allude to the segregated South. In here., place appears in many guises, whether expressed directly in the freedoms a space affords, the subject matter it provides, or the material and conceptual needs that it satisfies.
Artists represented in the exhibition are:
Lewis Colburn, Jennifer Levonian , Megawords,Tim Portlock / Michael Krueger, Erika Nelson, Aaron Storck, Whoop Dee Doo / Bunk News, Paul Coors, Terence Hammonds, Katie Parker and Guy Michael Davis / Liz Cohen, Scott Hocking, Chido Johnson, Abigail Newbold / Elsewhere Collaborative, Harrison Haynes, Stacy-Lynn Waddell, Glenda Wharton / Sue Chenoweth, Postcommodity, Aaron Rothman, Gregory Sale.
The exhibition curators are:
Julien Robson, Curator of Contemporary Art at PAFA; Christopher Cook, Director and Curator at the Salina Art Center, Salina, Kansas; Mark Harris, Director of the School of Art at the University of Cincinnati; Rebecca Hart, Associate Curator of Contemporary Art at the Detroit Institute of Arts; Claire Schneider, Independent Curator; and Teka Selman, Assistant Director of the MFA in Experimental and Documentary Arts at Duke University.
Phoenix/Scottsdale
Curator: Claire Schneider
Sue Chenoweth
http://www.schenoweth.com/
Postcommodity (Raven Chacon, Cristobal Martinez, Kade L. Twist and Nathan Young)
http://www.postcommodity.com/about_contact.html
Aaron Rothman
http://www.aarothman.com/
Gregory Sale
http://www.gregorysaleart.com/
http://www.love-buttons.com/
http://www.itsnotjustblackandwhite.info/
Philadelphia
Curator: Julien Robson
Megawords (Anthony Smyrski and Dan Murphy)
http://megawordsmagazine.com/
Tim Portlock
http://timportlock.net/art/
Lewis Colburn
http://lewiscolburn.net/
Jennifer Levonian
http://www.jenniferlevonian.com/video/
Detroit
Curator: Rebecca Hart
Liz Cohen
http://www.cranbrookart.edu/Pages/PhotographyDept.html
http://www.nytimes.com/2010/10/29/arts/design/29galleries-06.html
http://www.nytimes.com/2010/10/29/arts/design/29galleries-06.html
Scott Hocking
http://scotthocking.com/
Chido Johnson
http://chidox.com/desktop/#
Abigail Newbold
http://abigailanne.com/
Kansas City
Curator: Christopher Cook
Whoop Dee Doo (Jaimie Warren and Matt Roche)
http://www.whoopdeedoo.tv/
Michael Krueger
http://www.michaelkrueger.us/
Erika Nelson
http://www.worldslargestthings.com/aboutus.htm
Aaron Storck
http://www.aaronstorck.com/
Cincinnati
Curator: Mark Harris
Terence Hammonds
http://www.patsfallgraphics.com/pages/hammonds.html
Katie Parker and Guy Michael Davis
http://countryclubprojects.com/exhibitions/license-to-illuminate/pr.html
http://guymichaeldavis.blogspot.com/
http://katiesnewwork.blogspot.com/
http://www.futureretrieval.com
Paul Coors
http://www.paulcoors.com/
Bunk (Ben Brown)
http://www.youtube.com/bunknews
Raleigh/Durham
Curator: Teka Selman
Stacy Lynn Waddell
http://www.gibbesmuseum.org/explore/upcom_exhibit2.php?id=76
http://www.ackland.org/art/exhibitions/mfa/2007/waddell.php
http://www.stacylynnwaddell.com/
Elsewhere Collaborative (George Scheer and Stephanie Sheman)
http://elsewhereelsewhere.org/
Glenda Wharton
http://www.zoplayroom.com/artist.html
Harrison Haynes
http://harrisonhaynes.com/
Leading support for this exhibition is provided by the William Penn Foundation. Support for the here. catalogue is provided by the Elizabeth Firestone Graham Foundation. PAFA’s special exhibitions in 2011-12 are supported by generous contributions from Max N. Berry, Esq., Donald R. Caldwell, and Jonathan L. Cohen.
###
Founded in 1805, the Pennsylvania Academy of the Fine Arts (PAFA) is America's first school of fine arts and museum. A recipient of the 2005 National Medal of Arts presented by the President of the United States, PAFA is a recognized leader in fine arts education. Nearly every major American artist has taught, studied, or exhibited at the Academy. The institution's world-class collection of American art continues to grow and provides what only a few other art institutions in the world offer: the rare combination of an outstanding museum and an extraordinary faculty known for its commitment to students and for the stature and quality of its artistic work.
Museum hours are Tuesday through Saturday, 10 a.m. to 5 p.m., and Sunday, 11 a.m. to 5 p.m. The Academy is located at 118-128 N. Broad Street in Philadelphia. Admission to the Permanent Collection is Adults $10, Seniors (60+) & Students with I.D. $8, Youth ages 13-18, $6.
Admission to Special Exhibitions (includes Permanent Collection) is Adults $15, Seniors (60+) & Students with I.D. $12, Youth Ages 13-18, $10. Admission is free for members and children under age of 12.